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Month: March 2012

New Ways with Words
Discussions Podcasts Stories

New Ways with Words

thresholds26 March 20127 May 2012

Podcast: BBC Editor of Readings, Di Speirs, hosts a discussion on modern modes of experiencing short fiction – with readings from Joe Dunthorne, Geoff Dyer and Tessa Hadley.

Starting Block – An Exercise
Writing Exercises

Starting Block – An Exercise

thresholds21 March 201224 March 2012

In The Sound of Music, Maria sings: ‘Let’s start at the very beginning. It’s a very good place to start.’ That might be the case if you’re an ex nun in the Swiss Alps but it doesn’t work so well in short story writing.

A Masterclass in Character: ‘Weep Not My Wanton’
Discussions

A Masterclass in Character: ‘Weep Not My Wanton’

thresholds19 March 201227 April 2012

MIKE SMITH continues to explore the techniques that writers use to create their stories. In this post, he looks at A.E. Coppard’s use of characterisation in the story ‘Weep Not My Wanton’.

We Recommend – Gold Boy, Emerald Girl
We Recommend

We Recommend – Gold Boy, Emerald Girl

thresholds12 March 201212 March 2012

‘The characters are quietly clinging to something else, holding something for themselves, finding their own way.’ AMANDA OOSTHUIZEN discovers a quiet voice talking, in Yiyun Li’s extraordinary collection ‘Gold Boy, Emerald Girl’.

The Greatest Show on Earth
Discussions

The Greatest Show on Earth

thresholds7 March 20127 March 2012

JOSE VARGHESE reports back from the Jaipur Literature Festival – ‘the greatest literary show on earth’.

The Highs and Lows of Site Specific Writing
Discussions

The Highs and Lows of Site Specific Writing

thresholds5 March 201221 February 2013

CLARE REDDAWAY discusses two of her recent writing projects which were inspired by the historic cities of Bath and Bristol.

Ten ways of looking at the Short Story in 2012
Discussions

Ten ways of looking at the Short Story in 2012

thresholds2 March 20128 October 2013

STEVE WASSERMAN peers through the lens of The Sunday Times EFG Private Bank Short Story Award longlist.

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Editor Interviews: Rebecca O’Connor, The Moth

Off the Page and Into Our Lives

Fifty Pounds by Weight in Ashes

By the Mouth and for the Ear

Teleological Cinema: Film as Language in Arrival

Hanging on to Dear Life

Dazzled

What I Feel When I Talk About Short Stories

Alive and Dreaming Wide Awake

Food in Exile

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Venus and Mars on a Winter Break

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