Writing Exercise: Taboo

WRITING EXERCISE: ‘On a fundamental level, the plot of any story can be reduced to: a character who wants something they can’t have. Where it gets really interesting is when that ‘something’ is totally out of bounds. Flirting with someone else’s lover. Saying ‘Macbeth’ in a theatre. Opening Pandora’s Box. Reading a banned book. Speaking Voldemort’s name. Riding your big sister’s bike…’ JO GATFORD, from Writers’ HQ, offers a creative exercise in the taboo…

The Human Connection

VICTORIA HEATH revels in the human truths of KJ Orr’s LIGHT BOX collection: ‘‘Disappearances’ has one such every day premise: a retired, yet highly regarded, plastic surgeon in Buenos Aires finds solace in a local café. But behind that unassuming front is an entrancing narrative that makes a connection with the reader on a very human level from the start…’